British singer-songwriter Tommy Arch continues to carve out his own place between soul, blues, folk, and country with his compelling new double A-side, “Lovehearts” and “The Cold Side of the Bed.” These tracks serve as a masterclass in emotional storytelling, showcasing the artist’s ability to navigate the complexities of human connection through a lens of Tommy Arch‘s signature, genre-bending sound.
Both tracks feel deeply rooted in an older tradition of songwriting and live musicianship. By approaching the theme of love from two distinct angles, Arch demonstrates a remarkable range in his writing, shifting seamlessly from the uncertainty of new romance to the stark reality of heartbreak.
“Lovehearts” draws inspiration from classic country and soul duets, featuring a standout collaboration with Newcastle singer-songwriter Hels Pattison. The song lyrically navigates the delicate transition where a casual connection begins to feel emotionally significant. The warmth of their vocal pairing perfectly complements the track’s old-school country influence.
Reflecting on the recording process, Arch shared, “I wanted ‘Lovehearts’ to sound like one of those old Ray Charles country duets like ‘Here We Go Again’ so [producer Alex Blamire] suggested Hels Pattison and I sing the song together in the live room. We’d only sung the song together once before at a show, and I think we did three takes in the morning, and the second was the one, so kudos to Hels…”
In contrast, “The Cold Side of the Bed” finds the songwriter venturing into heavier emotional territory. The track unfolds as a dramatic 6/8 blues composition, centered on the visceral aftermath of losing a partner. Arch’s performance here is raw and vulnerable, with his emotion-fueled vocals capturing the weight of the narrative.
Both songs were crafted through a stripped-back, analogue-focused recording process. By drawing from personal experiences, literature, and a commitment to simplicity, Tommy Arch has solidified his reputation as a songwriter who values authenticity above all else.